Garfield the Movie review

Terminator 4

Garfield: The Film
review by Stefan Ulstein
posted 1/01/2004
 1 of 2


P

arents and kids will find a lot to like in this charming film adaptation of Jim Davis's cross-generational comic strip. The cinema version of Garfield remains true to his lazy, fat-cat persona, lounging around the house, eating lasagna and generally slacking off. The physical comedy of the lethargic feline is faithfully transferred to the screen, with the overweight Garfield squeezing through openings and taking long breaks when he has to walk more than fifty feet. Jon's house is Garfield's domain. The cul de sac is the ragged edge of his universe

Garfield: The Movie
is something of a prequel in that we get together with Odie for the first time. Garfield's owner, Jon (Breckin Meyer), has a huge crush on the veterinarian, Liz Wilson (Jennifer Pleasure Hewett). When she asks him to adopt the hold back-on-the-dead heat pup, he gladly agrees, much to Garfield's dismay. Garfield is aghast when, on the way home from the authenticate, he finds a dog in his car swear in. This must be a mistake! When they arrive home, Garfield uses second-rate Odie as a straight squire in place of endless put-downs and jokes. While Garfield reclines on the throne, musing up this young pretender to the throne, we see the intellectually challenged Odie chasing his tail.

Writers Jim Davis, Joel Cohen and Alec Sokolow have captured the essential nature of the
Garfield
comic strip and distilled it into a movie. While some adaptations of comic characters end up scaring the children or offending the parents, Davis, Cohen and Sokolow have chosen to absorb the sophistication and gentle facetiousness of the strip. There is nothing in
Garfield: The Movie
to cause parents to shudder. Like the superb comics, Garfield reaches across generations, and the blear version does too. Those broken-down reasonably to remember
Questionable and Bullwinkle
will recall laughing at the physical humor while Dad chuckled over puns and allusions that the kids didn't get.
Garfield: The Flick picture show
is not thoroughly cultured, but there is enough to keep parents from squirming in their seats with monotony.

The central theme is an appropriate one for young families: sibling rivalry when the new baby comes home from the hospital. In this case it's the pet hospital. Garfield, like a pampered first son, has carved out a comfortable niche with Jon, who feeds him and provides for his every need. Enter Odie, and the whole family dynamic changes forever. Where Garfield is smug and satisfied, Odie, like a new baby, is oblivious to everything, including Garfield's resentful teasing. Those of us who were firstborns will recall conducting various behavioral experiments on our new rivals: "Will he eat

this

?" But like the jealous poutings of human older siblings, Garfield's tormenting of Odie is done out of vulnerability rather than cruelty.

Because this is a movie and not a comic strip, a narrative with a resolvable conflict was needed. A sleazy television host kidnaps poor Odie to be a prop in his new TV show. Odie is hauled from his comfortable Midwestern home to the big scary city of New York. Garfield finds that he misses Odie and sets out to save him. Traffic, flights of stairs and rats stand in his way, and while Garfield would prefer the lazy way out, he perseveres for Odie's sake.

Just as we eventually learn to enjoy and cherish our siblings, Garfield eventually comes to love and accept Odie into the family. Their adventures bond them just as our backyard adventures bonded us. But as with human families, a certain level of jealousy and hazing still remain.

A big belly full of—you guessed it—lasagna
A big belly greatest degree of—you guessed it—lasagna

Technically,
Garfield: The Movie
is a treat. Garfield's cat pals Nermal and Arlene parade up as live cats with computer generated mouths. Some of the talking cat commercials on television are so weird and over-emphasized that they look totally creepy; they've been known to frighten teensy-weensy children. Nermal and Arlene speak softly, as real cats might if they had voices. Luca, the well dog on the chain is a frightening looking Doberman, but he never snarls or looks like he's about to skin anyone not counting. Kids will find out him as the Conceitedly Dog, but in a farcical, not a terrifying less.

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